Sterling Ruby

Sterling Ruby

Bonniers Konsthall invites Los Angeles based artist Sterling Ruby to present his first solo exhibition in Sweden.

On December 15th Bonniers Konsthall opens the first large solo exhibition for the Los Angeles based artist Sterling Ruby in Scandinavia. Sterling Ruby, whose been named one of the 2000s most interesting artists, works in a mixture of materials and genres, from glazed biomorphic ceramics to drawings in nail varnish. He takes his subject matter from a wide range of sources, including maximum security prisons, urban gangs, modernist architecture, and the mechanisms of warfare.  His works can be seen as a form of assault on both materials and social power structures.

The universe of Soft Work is by first look playful, soft and humorous but will soon reveal a dimensions of fear or terror. The artist transforms pillows, blankets, and quilts from objects of comfort into ominous sculptural objects that hint at the possibility that safety and security are an illusion. Here the American flag is used as material in gigantic vampire mouths and obese stuffed animals hangs from the roof like macerated cadavers.

The exhibition is organized in association with Centre d’Art Contemporain, Genéva, FRAC Champagne-Ardenne, Reims and MACRO, Museo d’Arte Contemporanea, Rome.

Image: Sterling Ruby Soft Work, installation view, FRAC Champagne-Ardenne. Foto: Martin Argyroglo.

 

Program

Wed 9 Jan, The Cool School by Morgan Neville


The Cool School is an abject lesson in how to build an art scene from scratch and what to avoid in the process. The film focuses on the seminal Ferus Gallery, which groomed the LA art scene from a loose gang of idealistic beatniks into a circuit of competitive, often brilliant artists, including Ed Kienholz, Ed Ruscha, Craig Kauffman, Wallace Berman, Ed Moses and Robert Irwin.

Wed 23 Jan, Surfer Aesthetics. Liv Stoltz on LA art scene

Los Angeles is home to not only iconic artist names, but also an emerging young artist scene. In this lecture, curator Liv Stoltz talks about the younger generation that she had the opportunity to meet in Los Angeles when curating the exhibition LA Trash & Treasure at Milliken, 2006 – one of whom was Sterling Ruby.

Wed 6 Feb, Graffiti and the established art scene

Graffiti and street art and its characteristic expression has long inspired artists working in the institutional art scene. What happens when the terms change contexts? Jacob Kimvall, a doctor of art history and author of Zero Tolerance – The fight against graffiti 
in conversation with gallery owners Jonas Kleerup and Jeanette Steinsland, representing a new generation of street art inspired artists.

Jacob Kimvall is an art historian and writer. He is currently a PhD student in art history at Stockholm University and working on a thesis focusing on street art, and among other things, investigating the interplay between art institutions and street art. Kimvall himself has a background in graffiti art, and in 1992 co-founded the international graffiti periodical Underground Productions.

Jeanette Steinsland is a curator and head of the gallery Steinsland Berliner which opened in 2008. She was the first to exhibit the street artist Banksy in Stockholm and today her gallery organizes street art walks. Jeanette is currently working on an exhibition at Bomuldsfabriken in Arendal, Norway.

Jonas Kleerup is a gallerist and head of Gallery Kleerup in Stockholm. Since opening in 2006, Gallery Kleerup has represented several artists inspired by street art. Jonas also runs the project Villa Contemporary Art.

Wed 20 Feb, Jörg Heiser: Who is Sterling Ruby?

Jörg Heiser, co-editor of Frieze Magazine and co-publisher of Frieze d/e, and one of the most influential names in contemporary art criticism, gives a presentation of Sterling Ruby, putting his practice into a broader context where both Ruby’s sources of inspiration, such as minimalism, Mike Kelley and brutalistic architecture,  and Ruby’s later ”softer” works are discussed.

Jörg Heiser is co-editor of frieze magazine, co-publisher of frieze d/e, and writes for the national daily Süddeutsche Zeitung. He is a visiting professor at Kunstuniversität Linz, and teaches at the Hochschule für Bildende Künste Hamburg. His book All of a Sudden: Things that Matter in Contemporary Art (Sternberg Press) was published in 2008, and he co-edited (with Eva Grubinger) the volume Sculpture Unlimited (Sternberg Press 2011). Heiser curated the exhibition “Romantic Conceptualism” (2007, Kunsthalle Nürnberg, BAWAG Foundation Vienna). He lives in Berlin.

Wed 27 Feb, Does material play a role in artists’ practices today?

This seminar focuses on sculptural materials and asks questions surrounding what materiality can be seen as today. What information
is inherent in contemporary artists’ material choice and which shifts have influenced sculptural processes. Three artists working in three-dimensional fields discuss their view of sculpture today. Confirmed participants are Zandra Ahl and Olav Westphalen.

Zandra Ahl is a artisan and professor at Konstfack in Stockholm. Her work has often focused on taste, class and power. In her practice, she has produced and curated exhibitions, organized talks and seminars, and worked with the fanzine Slicker. She also made the documentary short film “National Museum and I” (2008). This year Nilleditions re-issued Zandra and Emma Olsson’s “Swedish Taste” (2001), and in October she will open “Family Outlet” at Gustavsbetgs art gallery.

Olav Westphalen is an artist and professor of Fine Art at the Royal Institute of Art in Stockholm, specializing in the performative characteristics of art.

Wed 6 Mar,
 Soft Work according Kakan Hermansson
 CANCELLED DUE TO ILLNESS

Karin ”Kakan” Hermansson, Swedish artist, tv personality, DJ and club organizer, makes a more personal tour of the exhibition. As an artist, Kakan Hermansson works with questions surrounding gender, class and sexuality. She has arranged such events as the nail-art salon Girls Club in both clubs and in the art world.

Wed 13 th Mar. Florence Derieux on Soft Work

Florence Derieux is a French art historian and curator. Since 2008 she has been director of the FRAC Champagne-Ardenne, reims where she curated the previous Soft Work exhibition and initiated the basic idea of the tour.

 

All is subject to change. Limited number of seats. 80 kr; 60 kr for students and pensioners. Free for members and everyone under 18 years. Get your ticket from 11 am the same day at the Konsthall reception desk.